[redacted] (series of 4)

by Kristin Ross, based on Valentines by Shira Lipkin

Mixed media art bookmarks with china marker, acrylic paint, original writing, duct tape, and glaze.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    A Taste of Interfictions 2
    • “The first time the Black Dog showed up I was five. We were living in Miriwinni and it lurked behind the low, chain link fence that marked out our backyard, hunkered down in the long grass filling the space between the fence line and the train tracks. No-one else could see it, not even my parents. It was good at hiding when other people looked.”
      From: Black Dog: A Biography by Peter M. Ball
    • “"Which is harder to get rid of: a wicked stepmother or a frog that insists you keep your promises to it?"

      That was last week's winning question, and all I can see in my head is the shocked, inconsolable look on the contestant’s face when she got it wrong.”
      From: Quiz by Eilis O'Neal
    • “People always get my origin story wrong. I wasn't "born in an explosion," I am the explosion; if I'm the chicken, the bomb was the egg. It's just that no one's ever taken responsibility for laying it. Anything else blows up, anywhere in L.A., and the gangs and factions fall all over each other to take credit, but someone takes out the craft services tent on the set of a minor erotic space opera and no one says a word.”
      From: The 121 by David J. Schwartz
    • “The news is getting everything wrong. Her name was Verona, and not Veronica. She was not a teenager, and would not have been flattered to be mistaken for one. She was not an edgy performance artist. She painted. She also sculpted.

      The news is implying that her boyfriend is sketchy. They always imply that the boyfriend, or husband, is sketchy. I'm angry on his behalf. I am also angry because this basic, default assumption usually turns out to be right. Part of the logic behind it is that someone has to care about you very deeply if they are going to bother beating you to death with "multiple instruments."”
      From: After Verona by William Alexander

    Click here for another excerpt