Everybody Knows

by Emily Wagner, based on Valentines by Shira Lipkin

12 ounces of handspun yarn. Several kinds of wool, uncarded locks, mohair, silk, milk fiber, bamboo, cashmere, sparkle, and paper.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    A Taste of Interfictions 2
    • “In the month of Ind, when the flowers of the Jindal trees were in blossom and just beginning to scatter their petals on the ground like crimson rain, a messenger came to the court of the Child-Empress. He announced that a Hero had awakened in the valley of Jar.

      The messenger was young and obviously nervous, at court for the first time, but when the Child-Empress said, "A Hero? What is his name?" he replied with a steady voice. "Highest blossom of the Jindal tree, his name is not yet known. He has not spoken it, for he has as yet seen no one to whom he could speak."”
      From: Child-Empress of Mars by Theodora Goss
    • “Information is sacred. I don't remember why, or who told me. But I know that information is sacred, so I write it down, scraps of knowledge and observations. I used to write in leather-bound journals with elegant heavy pens, but my fetish for elegance has fallen by the wayside in my rush to commit everything to paper. Now I use cheap marbled composition books, purchased by the dozen. The pen is still important, though. It must write in smooth lines of black, not catch on the page. There is too much to capture.”
      From: Valentines by Shira Lipkin
    • “My Obstetrician has four heads.
      She stands in front of me, arms crossed, tapping one foot.
      She only has the two feet.
      We are in Evanston, a socially-politically-ecologically aware suburb of Chicago, and she wears sensible shoes, expensive clogs and natural fibers to draw the eye away from the four heads.”
      From: Afterbirth by Stephanie Shaw
    • “Work dried up after the crash. My magazine folded, and the creditors came around demanding the office furniture and telephone and rent. They got one chair, a cancelled stamp, and a hundred and twelve copies of the second edition of Honeypot which didn't sell as well as the first. "And why should it?" Betsy asked. "Nobody's into poetry. Especially in the language of bees. They could be saying anything."”
      From: For the Love of Carrots by Kelly J. Cogswell

    Click here for another excerpt