Still Standing

by Mia Nutick based on Remembrance is Something Like a House by Will Ludwigsen

Ceramic pendant, gold wash on gold.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    A Taste of Interfictions 2
    • “The first time the Black Dog showed up I was five. We were living in Miriwinni and it lurked behind the low, chain link fence that marked out our backyard, hunkered down in the long grass filling the space between the fence line and the train tracks. No-one else could see it, not even my parents. It was good at hiding when other people looked.”
      From: Black Dog: A Biography by Peter M. Ball
    • “I wonder why I still write you. After all, tomorrow you will disappear, yesterday you disappeared. Nothing changes, and everything is in flux on this island that shrinks, that swells… Do you know how hard it is to lead an infinity of lives all at once? I say an infinity, when really, it's just a great many lives in which I remain essentially the same. I have unendingly committed these words to paper and I have never done so. I am young and old, the wife who loves and deceives, the hieratic figure.

      But above all, I am weary.”
      From: L'Ile Close by Lionel Davoust
    • “Every day for three decades, the abandoned house strains against its galling anchors, hoping to pull free. It has waited thirty years for its pipes and pilings to finally decay so it can leave for Florida to find the Macek family. Nobody in its Milford neighborhood will likely miss the house or even notice its absence; it has hidden for decades behind overgrown bushes, weeds, and legends. When they talk about the house at all, the neighbors whisper about the child killer who lived there long ago with his family: a wife and five children who never knew their father kept his rotting playmate in the crawlspace until the police came. The house, however, knows the truth and wants to confess it, even if it has to crawl eight hundred miles.”
      From: Remembrance is Something Like a House by Will Ludwigsen
    • “The news is getting everything wrong. Her name was Verona, and not Veronica. She was not a teenager, and would not have been flattered to be mistaken for one. She was not an edgy performance artist. She painted. She also sculpted.

      The news is implying that her boyfriend is sketchy. They always imply that the boyfriend, or husband, is sketchy. I'm angry on his behalf. I am also angry because this basic, default assumption usually turns out to be right. Part of the logic behind it is that someone has to care about you very deeply if they are going to bother beating you to death with "multiple instruments."”
      From: After Verona by William Alexander

    Click here for another excerpt