The Child Empress of Mars

by C. Jane Washburn, based on The Child Empress of Mars by Theodora Goss in Interfictions 2

15" tall x 12" long Art Doll – Mixed Media: wire, tape, polyclay, semi-precious stones, found objects, fur scraps, silk, acrylics.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    Dream of the Child Empress of Mars The Beauty of Strange Stories by Mia Nutick The Animometer Just One Shoe by K. Tempest Bradford Berry Moon The Quiz Heidi Berry Moon Skirt Dream of the Child Empress of Mars C. Jane Washburn - The Child Empress of Mars
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    A Taste of Interfictions 2
    • “She paid admission. Then they walked the direction all visitors had to go, through the museum and toward doors leading out to the historic village. With its coke machine just inside the entrance, the museum seemed a harmless, well-regulated place, comforting and normal. Yet the discontent he had noticed when his feet hit the gravelly parking lot, out by the split-rail fence, still held on and was with him yet as they walked out the back door.

      He could control it even so: a trifling weight he would shrug off, somewhere, if only he could find the right place.”
      From: Stonefield by Mark Rich
    • “"Which is harder to get rid of: a wicked stepmother or a frog that insists you keep your promises to it?"

      That was last week's winning question, and all I can see in my head is the shocked, inconsolable look on the contestant’s face when she got it wrong.”
      From: Quiz by Eilis O'Neal
    • “The news is getting everything wrong. Her name was Verona, and not Veronica. She was not a teenager, and would not have been flattered to be mistaken for one. She was not an edgy performance artist. She painted. She also sculpted.

      The news is implying that her boyfriend is sketchy. They always imply that the boyfriend, or husband, is sketchy. I'm angry on his behalf. I am also angry because this basic, default assumption usually turns out to be right. Part of the logic behind it is that someone has to care about you very deeply if they are going to bother beating you to death with "multiple instruments."”
      From: After Verona by William Alexander
    • “I wonder why I still write you. After all, tomorrow you will disappear, yesterday you disappeared. Nothing changes, and everything is in flux on this island that shrinks, that swells… Do you know how hard it is to lead an infinity of lives all at once? I say an infinity, when really, it's just a great many lives in which I remain essentially the same. I have unendingly committed these words to paper and I have never done so. I am young and old, the wife who loves and deceives, the hieratic figure.

      But above all, I am weary.”
      From: L'Ile Close by Lionel Davoust

    Click here for another excerpt