In Memoriam

by Sam Haney, based on A Dirge for Prester John by Catherynne M. Valente.

11" x17" digital art print with papercraft and Swarovski crystal embellishments.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    A Taste of Interfictions 2
    • “My father's oldest brother was at the age when little boys fall in love with war. In the family's rush to get downstairs, no one noticed that he had brought his favorite hat into the basement, the one that superficially resembled the square czapka with the scarlet band of the Zandarmeria, the Polish Military Police. When the gun shots, the screams, and the smoke had cleared, the Germans discovered that their fugitive Polish soldier was just a ten year old boy.”
      From: Count Poniatowski and the Beautiful Chicken by Elizabeth Ziemska
    • Trace down the length of your nylon seam
      The breeze from the window fan does nothing to cool the room but ripples Martine's skirt as she adjusts her hose. She is talking to someone on the phone. She says it's her sister. Dave sits on the edge of the bed, smoking, paralyzed by his insurmountable debt and the vision of her cherry-red toenails.”
      From: Nylon Seam by F. Brett Cox
    • “Information is sacred. I don't remember why, or who told me. But I know that information is sacred, so I write it down, scraps of knowledge and observations. I used to write in leather-bound journals with elegant heavy pens, but my fetish for elegance has fallen by the wayside in my rush to commit everything to paper. Now I use cheap marbled composition books, purchased by the dozen. The pen is still important, though. It must write in smooth lines of black, not catch on the page. There is too much to capture.”
      From: Valentines by Shira Lipkin
    • “After the children are asleep, she goes to her room and sees the dress of gold laid out on her bed, unzipped and waiting for her. The lining is embroidered with bees (from the mother's name, the dress was made for her).

      She looks out the window, as if she can signal someone, but it's night out, and the window might as well be painted over black.

      She puts on the dress and goes to his room.

      "Very good," he says, and she feels like her mouth has been stuffed with cotton and no light will ever reach her.

      When he zips the dress closed she can feel the bees spring to life inside the dress, a thousand tiny stings.”
      From: To Set Before the King by Genevieve Valentine

    Click here for another excerpt