Write Everything Down

by Susan W. Saltzman, based on Valentines by Shira Lipkin from Interfictions 2.

18" long ball chain necklace
All metal except grommet is 100% sterling silver, oxidized and satin finished.
Handcut and stamped heart charm fitted with brass grommet and hand formed stamped sterling pendant.
Authentic aqua colored sea glass (this particular piece is from Cornwall, England) drilled and hung from silver chain.
Tiny puffy heart charm dangles at tear drop clasp.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com

Tags: interfictions2auction, interstitialartsfoundation, interfictions, susanwsaltzman, interfictions2, interstitial, valentines, shiralipkin, jewelry
Uploaded: October 18, 2009
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1 comments

SToNZware wrote...
More of my work can be found here: www.stonz.etsy.com Thanks! -Susan


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

    IAF Photostream
    The Black Dog Forever The Long and the Short of Long-Term Memory Book Berry Moon Skirt Black Feather by Elizabeth Genco And Then She Flew by Deborah J. Brannon Lily, Surrounded By Rats by Helen Pilinovsky All Valentines are One Valentine In Memoriam Remembrances
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    A Taste of Interfictions 2
    • “Information is sacred. I don't remember why, or who told me. But I know that information is sacred, so I write it down, scraps of knowledge and observations. I used to write in leather-bound journals with elegant heavy pens, but my fetish for elegance has fallen by the wayside in my rush to commit everything to paper. Now I use cheap marbled composition books, purchased by the dozen. The pen is still important, though. It must write in smooth lines of black, not catch on the page. There is too much to capture.”
      From: Valentines by Shira Lipkin
    • “The book is the kind of speculative, sweeping thought-experiment that all the cool physicists are writing these days. I am probably wrong about almost everything. But I hope I'm wrong in the ways that will someday lead us to science. That's exactly what I said to my kid-gloves NPR interviewer, and she seemed, in her throaty, liberal-media way, duly impressed.

      And then I almost kicked a pigeon.”
      From: The Assimilated Cuban's Guide to Quantum Santeria by Carlos Hernandez
    • “People always get my origin story wrong. I wasn't "born in an explosion," I am the explosion; if I'm the chicken, the bomb was the egg. It's just that no one's ever taken responsibility for laying it. Anything else blows up, anywhere in L.A., and the gangs and factions fall all over each other to take credit, but someone takes out the craft services tent on the set of a minor erotic space opera and no one says a word.”
      From: The 121 by David J. Schwartz
    • “Just before I dozed off to sleep last night, I had a vision. I saw, with my eyes closed, a room that was wallpapered with the most amazing scenery of a battle between angels and demons. It was brilliantly colorful and so amazingly detailed. I can still see the deep red of the evil horde, their barbed tails and bat wings – classic Madison Avenue horned demons, but playing for keeps, slaying angels with their tridents. The angels wore billowing white robes and, of course, had feathered wings in contrast to the slick rodent ones of the enemy. Halos, gleaming swords, harps to call the troops to charge, they poured out of the clouds, riding beams of light toward earth where the demons crawled out of cracks in the ground, smoking volcano craters, and holes in giant trees.”
      From: The War Between Heaven and Hell Wallpaper by Jeffrey Ford

    Click here for another excerpt

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