[redacted] (series of 4)

by Kristin Ross, based on Valentines by Shira Lipkin

Mixed media art bookmarks with china marker, acrylic paint, original writing, duct tape, and glaze.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    A Taste of Interfictions 2
    • “My brother Pedro was born on the floor of our apartment. That was when we lived above the Good Foot. It was three-thirty on a Saturday morning when my mother pushed him out. Downstairs in the club, my father used to say, there was a band playing with twenty drummers, two basses, two guitars. Big horn section, lots of singers. It was some party down there. My mother said that my brother didn't cry once. He just hit the floor, put his ear against it, and started taking it all in right then. The band, the cheers from the crowd, the stomping feet against the club's floor. He never cried. But never slept either. Just listened and listened.”
      From: Interviews After the Revolution by Brian Francis Slattery
    • “People always get my origin story wrong. I wasn't "born in an explosion," I am the explosion; if I'm the chicken, the bomb was the egg. It's just that no one's ever taken responsibility for laying it. Anything else blows up, anywhere in L.A., and the gangs and factions fall all over each other to take credit, but someone takes out the craft services tent on the set of a minor erotic space opera and no one says a word.”
      From: The 121 by David J. Schwartz
    • “Work dried up after the crash. My magazine folded, and the creditors came around demanding the office furniture and telephone and rent. They got one chair, a cancelled stamp, and a hundred and twelve copies of the second edition of Honeypot which didn't sell as well as the first. "And why should it?" Betsy asked. "Nobody's into poetry. Especially in the language of bees. They could be saying anything."”
      From: For the Love of Carrots by Kelly J. Cogswell
    • “Hey Chipper, Mr. Anderson
      That’s Guy, not Garry,
      or Gary or even Garie
      Wants us to dialog in Haiku?

      Huh? He wants dialog In Haiku?
      Why does that sound kuku?”
      From: The Chipper Dialogs by Ronald Pasquariello

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