The Child Empress of Mars

by C. Jane Washburn, based on The Child Empress of Mars by Theodora Goss in Interfictions 2

15" tall x 12" long Art Doll – Mixed Media: wire, tape, polyclay, semi-precious stones, found objects, fur scraps, silk, acrylics.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    Bee with Cleaver Everybody Knows Everybody Knows Timothy by Sarah Evans The Long and the Short of Long-Term Memory Book Prester John by JoSelle Vanderhooft Remembrances The Child Empress of Mars Inwood Hill by K Tempest Bradford Visual Fiction or The Metamorphosis of Vision
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    A Taste of Interfictions 2
    • “The book is the kind of speculative, sweeping thought-experiment that all the cool physicists are writing these days. I am probably wrong about almost everything. But I hope I'm wrong in the ways that will someday lead us to science. That's exactly what I said to my kid-gloves NPR interviewer, and she seemed, in her throaty, liberal-media way, duly impressed.

      And then I almost kicked a pigeon.”
      From: The Assimilated Cuban's Guide to Quantum Santeria by Carlos Hernandez
    • “My brother Pedro was born on the floor of our apartment. That was when we lived above the Good Foot. It was three-thirty on a Saturday morning when my mother pushed him out. Downstairs in the club, my father used to say, there was a band playing with twenty drummers, two basses, two guitars. Big horn section, lots of singers. It was some party down there. My mother said that my brother didn't cry once. He just hit the floor, put his ear against it, and started taking it all in right then. The band, the cheers from the crowd, the stomping feet against the club's floor. He never cried. But never slept either. Just listened and listened.”
      From: Interviews After the Revolution by Brian Francis Slattery
    • “She came back and opened the door, was rather amazed that the courier was still standing there. The agent raised her arm and tazered the courier's face. Wasn't a clean shot; the stinger punctured her cheek, straight through. The courier fell back and the agent kicked the package through her apartment door, rubbing the arm brace where her tazer was attached. She then unhooked the wire, which would dissolve in about an hour. Kneeling down to the courier she said, "I warned you. It's my risk. It's my package. Why should you give a ---- if I get blown up by it? I have no family left to sue you. And you can ---- your Lord, you ----ing hear me?" She stood up and rolled the courier into the freight elevator, and pressed Down.

      She decided she needed wine before opening the package.”
      From: (*_*?) ~~~~ (-_-) : The Warp and the Woof by Alan DeNiro
    • “I was not quite ten when Renata grew up out of my right shoulder like a second head. She was just a blemish at first, a smudge that looked a little like the state of Florida. Then she was a squashed spider mole, then she was a monster, a mewling, squirming mass of purple flesh that smelled like raw chicken, and then she was just Renata, my little sister, saying let me have the arms, Davy, I need the arms, my nose itches, please please please, give me the arms, so I can scratch my nose!”
      From: The Two of Me by Ray Vukcevich

    Click here for another excerpt