The Child Empress of Mars

by C. Jane Washburn, based on The Child Empress of Mars by Theodora Goss in Interfictions 2

15" tall x 12" long Art Doll – Mixed Media: wire, tape, polyclay, semi-precious stones, found objects, fur scraps, silk, acrylics.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


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    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

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    A Taste of Interfictions 2
    • “She paid admission. Then they walked the direction all visitors had to go, through the museum and toward doors leading out to the historic village. With its coke machine just inside the entrance, the museum seemed a harmless, well-regulated place, comforting and normal. Yet the discontent he had noticed when his feet hit the gravelly parking lot, out by the split-rail fence, still held on and was with him yet as they walked out the back door.

      He could control it even so: a trifling weight he would shrug off, somewhere, if only he could find the right place.”
      From: Stonefield by Mark Rich
    • “I was not quite ten when Renata grew up out of my right shoulder like a second head. She was just a blemish at first, a smudge that looked a little like the state of Florida. Then she was a squashed spider mole, then she was a monster, a mewling, squirming mass of purple flesh that smelled like raw chicken, and then she was just Renata, my little sister, saying let me have the arms, Davy, I need the arms, my nose itches, please please please, give me the arms, so I can scratch my nose!”
      From: The Two of Me by Ray Vukcevich
    • “Hey Chipper, Mr. Anderson
      That’s Guy, not Garry,
      or Gary or even Garie
      Wants us to dialog in Haiku?

      Huh? He wants dialog In Haiku?
      Why does that sound kuku?”
      From: The Chipper Dialogs by Ronald Pasquariello
    • “People always get my origin story wrong. I wasn't "born in an explosion," I am the explosion; if I'm the chicken, the bomb was the egg. It's just that no one's ever taken responsibility for laying it. Anything else blows up, anywhere in L.A., and the gangs and factions fall all over each other to take credit, but someone takes out the craft services tent on the set of a minor erotic space opera and no one says a word.”
      From: The 121 by David J. Schwartz

    Click here for another excerpt