The Child Empress of Mars

by C. Jane Washburn, based on The Child Empress of Mars by Theodora Goss in Interfictions 2

15" tall x 12" long Art Doll – Mixed Media: wire, tape, polyclay, semi-precious stones, found objects, fur scraps, silk, acrylics.

This piece will be auctioned off to benefit the Interstitial Arts Foundation at iafauctions.com


0 comments

No comments for this photo. Add a comment >

    IAFAuctions.com is part of the fundraising arm of the Interstitial Arts Foundation, a not–for–profit organization dedicated to the study, support, and promotion of interstitial art.

    IAF Photostream
    Dream of the Child Empress of Mars The Beauty of Strange Stories by Mia Nutick The Animometer Just One Shoe by K. Tempest Bradford Berry Moon The Quiz Heidi Berry Moon Skirt Dream of the Child Empress of Mars C. Jane Washburn - The Child Empress of Mars
    View more photos >
    A Taste of Interfictions 2
    • “After the children are asleep, she goes to her room and sees the dress of gold laid out on her bed, unzipped and waiting for her. The lining is embroidered with bees (from the mother's name, the dress was made for her).

      She looks out the window, as if she can signal someone, but it's night out, and the window might as well be painted over black.

      She puts on the dress and goes to his room.

      "Very good," he says, and she feels like her mouth has been stuffed with cotton and no light will ever reach her.

      When he zips the dress closed she can feel the bees spring to life inside the dress, a thousand tiny stings.”
      From: To Set Before the King by Genevieve Valentine
    • “People always get my origin story wrong. I wasn't "born in an explosion," I am the explosion; if I'm the chicken, the bomb was the egg. It's just that no one's ever taken responsibility for laying it. Anything else blows up, anywhere in L.A., and the gangs and factions fall all over each other to take credit, but someone takes out the craft services tent on the set of a minor erotic space opera and no one says a word.”
      From: The 121 by David J. Schwartz
    • “The first time the Black Dog showed up I was five. We were living in Miriwinni and it lurked behind the low, chain link fence that marked out our backyard, hunkered down in the long grass filling the space between the fence line and the train tracks. No-one else could see it, not even my parents. It was good at hiding when other people looked.”
      From: Black Dog: A Biography by Peter M. Ball
    • “The news is getting everything wrong. Her name was Verona, and not Veronica. She was not a teenager, and would not have been flattered to be mistaken for one. She was not an edgy performance artist. She painted. She also sculpted.

      The news is implying that her boyfriend is sketchy. They always imply that the boyfriend, or husband, is sketchy. I'm angry on his behalf. I am also angry because this basic, default assumption usually turns out to be right. Part of the logic behind it is that someone has to care about you very deeply if they are going to bother beating you to death with "multiple instruments."”
      From: After Verona by William Alexander

    Click here for another excerpt