Auction #14: Data, Recollection, and Identity

November 14th, 2009

[redacted] (series of 4) by Kristin Ross[redacted] (series of 4)
by Kristin Ross

Mixed media art bookmarks with china marker, acrylic paint, original writing, duct tape, and glaze.

Based On:
“Valentines” by Shira Lipkin

This auction has ended. Thanks to everyone who bid. Please check the front page for more auctions, going on through the first week of December, 2009.

For a tiny bit of introduction, I’m a freelance writer with a painting and crafting habit. I’ve been working with a lot of collage art lately, but Shira Lipkin’s story “Valentines” inspired these four pieces with all original components. The series of four bookmarks is called [redacted]. Lipkin’s story features a narrator desperately trying to catalogue information and my art centers around that idea, as well. I really connected with this theme; in our modern existence, we’re overwhelmed with information every waking moment and we’re constantly logging and processing it. In the bookmarks, the writing comes straight from my journal the day I put myself into the character’s shoes. The finished product represents the problems with memory Lipkin’s narrator struggles with and how both data and recollection can have a shattering effect on one’s identity.

Kristin Ross

[redacted] (series of 4) [redacted] (series of 4) [redacted] (series of 4)


3 Responses to “Auction #14: Data, Recollection, and Identity”

  1. Shira Lipkin on November 15, 2009 12:12 am

    I love that Kristin kept a journal in character – and that she saw how difficult it is to process the amount of information we get bombarded with on a daily basis! That’s only more difficult with a broken brain. It’s exciting to me when people who don’t know me really *get* the story.

  2. Chandra Peltier on November 15, 2009 4:30 pm

    This looks like a piece that would be fascinating to peruse as another layer to the original story. I love the interactive nature of this, and strikes me as a possible future interstitial direction of the union of art and text.

  3. Kristin Ross on November 20, 2009 7:31 pm

    Thank you both for your kind words! Glad to be able to help a great cause and I was honored to create a work of art based on Shira’s wonderful story!

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A Taste Of Interfictions 2
“She paid admission. Then they walked the direction all visitors had to go, through the museum and toward doors leading out to the historic village. With its coke machine just inside the entrance, the museum seemed a harmless, well-regulated place, comforting and normal. Yet the discontent he had noticed when his feet hit the gravelly parking lot, out by the split-rail fence, still held on and was with him yet as they walked out the back door.

He could control it even so: a trifling weight he would shrug off, somewhere, if only he could find the right place.”
From: Stonefield by Mark Rich

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